The posters were used to promote the artist’s fake documentary film Exit Through the Gift Shop, which challenges the core of visual culture by questioning notions of authenticity and originality in a postmodernist society. In the present version of the image, the boy dons a hoodie, and the halo is replaced by a dazzling, gloriously graffitied stained-glass window. The setting of a sacred church functions on the one hand to heighten the ambiguous sentiments of contrition and repentance; on the other hand, the sacrilegious blasphemy of defacing the hallowed windows of a church paints an incredibly powerful statement that epitomizes Banksy’s cheeky, anarchic irreverence and rebellious spirit.